15 Most Prestigious Film Festivals On Earth
The concept of "category A festival" just isn't formally defined, but there are numerous ways prestigious international shows with a non-specialized competitive program are traditionally called.
Almost all of the major and prestigious film festivals are accredited because of the International Federation of Film Producers Associations (FIAPF). FIAPF was formed way back in 1933, and already it has 34 associations (including the Guild of Russian Producers) from 29 countries. Besides the "licensing" of festivals, FIAPF's division of interest includes the process of the regulation and damaging work processes from the film and tv industry: modernization of copyright legislation, combating piracy, enhancing digital technologies, standardization, work while using media, etc. While using issuance of FIAPF accreditation, the very idea of "class A" festivals (that is, the favourite, status events) is associated, which has recently become conditional, but remains to be preserved within the journalistic dictionary. It can be understood that such festivals are locked in countries where there's a long-term cinematic tradition, have a very non-specialized competition for at least 12 full-length films (usually premieres instead of doing competitions of other international film festivals) from different countries, a major international jury and official support from the state of hawaii level. There is only one "A" class festival in different given country.
Berlinale
Berlin, Germany / founded in 1951
The very first class "A" festival inside FIAPF calendar, starting in early February, is all at once probably the most significant (and probably the favorite and most used in the world). The Berlinale competitors are being formed to ensure a broad representation of European cinematographies. Additionally it is belief that films shot while in the traditional manner and flicks with political themes will be more often selected here.
Curators compose individual programs presented at the festival independently, without considering applications from outside. Nevertheless, films of less experienced directors who find it hard to enter the main competition could be as part of the decreased programs Panorama (international art house cinema), Forum (experimental films), Generation (children and youth films ), Berlinale Shorts (short film). New Russian cinema had been shown in your competition from the Berlin Festival (remember Boris Khlebnikov's Long Happy Life) plus programs of your lower rank (recent films by Alexei Mizgirev and Anna Melikyan).
The Berlin Film Festival also hosts the extremely large European Film Market, comparable bigger to Cannes (last year, the organizers claim over 8,000 participants from 107 countries showing 784 films within the market) as well as a co-production market. They just don't forget about the growth of young talents, inviting the theifs to be in the projects Berlinale Residency (a three-month residence in Berlin that has a scholarship of 1,500 euros for directors or screenwriters, that are helped by experts to make projects to mind) and Berlinale Talents (short-term training programs for annually recruited categories of film school students from throughout the world).
Festival de Cannes
Cannes, France / founded in 1946
Cannes is one of reputable (though not the oldest) film festival about the planet. It's very rare to find here, but this kind of opportunity, as practice shows, always remains. An ignorant director, certainly, must not seriously trust stepping into the main programs (the main competition, "Special Look", special screenings, out-of-competition section), but lower-ranked programs - "Cinefondation" (student films), short films competition are relatively accessible. Beyond the above, the parallel program "Directors Fortnight", https://greenhornfestival.com/ (https://greenhornfestival.com) which was published through the French Guild of Film Directors way back in 1969, is becoming well-known and they often is no less interesting than the key competition.
The respectful attitude of Cannes to the Soviet and Russian cinematic tradition is manifested at least in the belief that the festival website and the primary documents essential for filing a credit card applicatoin are translated into Russian. You won't have to go far for types of Russian films that received awards in Cannes: this year the prize to get the best script was awarded to Andrey Zvyagintsev's Leviathan, and in 2012, Taisiya Igumentseva took the leading prize in the Cinefondation competition (since the Cannes rules need a screen full-length debut on the winner, your next picture of Mrs. Igumentseva has also been shown at the festival, albeit beyond competition).
By far the most prestigious festival, certainly, were get the largest film market. In 2014, greater than 11,000 professionals came to France, representing about 5,000 companies from 116 countries. 5,200 films were presented at the film market, 960 of which have screenings (in many cases, premieres).