15 Most Prestigious Film Festivals On The Globe
The concept of "category A festival" seriously isn't formally defined, but this is the way prestigious international shows which has a non-specialized competitive program are traditionally called.
The vast majority of major and prestigious film festivals are accredited from the International Federation of Film Producers Associations (FIAPF). FIAPF was formed last 1933, and after this it has 34 associations (including the Guild of Russian Producers) from 29 countries. Beyond just the "licensing" of festivals, FIAPF's section of interest includes issues related to the regulation and regulating work processes inside film and television industry: modernization of copyright legislation, combating piracy, the creation of digital technologies, standardization, work with the media, etc. With the issuance of FIAPF accreditation, the method of "class A" festivals (that is, the most famous, status events) is associated, which has already become conditional, but remains to be preserved inside the journalistic dictionary. It really is understood that such festivals are locked in countries where there's a long-term cinematic tradition, use a non-specialized competition of at least 12 full-length films (usually premieres instead of playing competitions of other international film festivals) from different countries, a global jury and official support from hawaii level. There are at most one "A" class festival in different given country.
Berlinale
Berlin, Germany / founded in 1951
The earliest class "A" festival while in the FIAPF calendar, starting during the early February, is as well one of the most significant (and the most useful in the world). The Berlinale competition is being formed to be certain a wide representation of European cinematographies. Also, it is belief that films shot from the traditional manner and films with political themes are definitely more often selected here.
Curators compose individual programs presented at the festival independently, without considering applications from outside. Nevertheless, films of less experienced directors who battle to end up in the leading competition may be in the less significant programs Panorama (international art house cinema), Forum (experimental films), Generation (children and youth films ), Berlinale Shorts (short film). New Russian cinema had been shown in competition in the Berlin Festival (remember Boris Khlebnikov's Long Happy Life) plus in programs on the lower rank (recent films by Alexei Mizgirev and Anna Melikyan).
The Berlin Film Festival also hosts the extremely large European Film Market, comparable in proportion to Cannes (last year, the organizers claim over 8,000 participants from 107 countries showing 784 films on the market) along with a co-production market. They just do not neglect the progression of young talents, inviting those to have fun playing the projects Berlinale Residency (a three-month residence in Berlin with a scholarship of 1,500 euros for directors or screenwriters, that happen to be helped by experts to take projects to mind) and Berlinale Talents (short-term training programs for annually recruited sets of film school students from throughout the world).
Festival de Cannes
Cannes, France / founded in 1946
Cannes is considered the most reputable (though not the oldest) film festival around the planet. It is extremely difficult to acquire here, but this sort of opportunity, as practice shows, always remains. An unskilled director, obviously, must not seriously count on engaging in the main programs (the main competition, "Special Look", special screenings, out-of-competition section), but lower-ranked programs - "Cinefondation" (student films), short films competition are relatively accessible. Beyond just the above, the parallel program "Directors Fortnight", which premiered by the French Guild of Film Directors the government financial aid 1969, is now widely known and they often turns out to be believe it or not interesting than the primary competition.
The respectful attitude of Cannes to the Soviet and Russian cinematic tradition is manifested at least in the truth that the festival website and the chief documents meant for filing software are translated into Russian. There's no need to go far for instances of Russian films that received awards in Cannes: this year the prize for top script was awarded to Andrey Zvyagintsev's Leviathan, as well as in 2012, Taisiya Igumentseva took the principle prize on the Cinefondation competition (since the Cannes rules require a screen full-length debut of your winner, your next picture of Mrs. Igumentseva was shown in the festival, albeit out from competition).
The best prestigious festival, naturally, had been get the largest film market. In 2014, more than 11,000 professionals reached France, representing about 5,000 companies from 116 countries. 5,200 films were presented within the film market, 960 of which in fact have screenings (in many examples, https://greenhornfestival.com/ (greenhornfestival.com) premieres).
