15 Most Prestigious Film Festivals On The Earth
The thought of "category A festival" will not be formally defined, but some of the ways prestigious international shows by using a non-specialized competitive program are traditionally called.
A lot of the major and prestigious film festivals are accredited from the International Federation of Film Producers Associations (FIAPF). FIAPF was formed way back in 1933, and from now on it includes 34 associations (including the Guild of Russian Producers) from 29 countries. Besides the "licensing" of festivals, FIAPF's part of interest includes the process of the regulation and controlling the harmful work processes in the film and tv industry: modernization of copyright legislation, slowing piracy, improvement digital technologies, https://greenhornfestival.com/ (greenhornfestival.com) standardization, work together with the media, etc. Using the issuance of FIAPF accreditation, the thought of "class A" festivals (that is, the most famous, status events) is associated, which has now become conditional, but continues to preserved from the journalistic dictionary. It's understood that such festivals are kept in countries where there exists a long-term cinematic tradition, use a non-specialized competition that is at least 12 full-length films (usually premieres and not doing competitions of other international film festivals) from different countries, a major international jury and official support from the state of hawaii level. There can be only one "A" class festival in any given country.
Berlinale
Berlin, Germany / founded in 1951
The primary class "A" festival in the FIAPF calendar, starting noisy . February, actually is concurrently the single most significant (and probably the most useful within the world). The Berlinale competitors are being formed to make sure a diverse representation of European cinematographies. Also, it is considered that films shot in the traditional manner and flicks with political themes tend to be often selected here.
Curators compose individual programs presented for the festival independently, without considering applications from outside. Nevertheless, films of less experienced directors who struggle to enter the primary competition could be as part of the less significant programs Panorama (international art house cinema), Forum (experimental films), Generation (children and youth films ), Berlinale Shorts (short film). New Russian cinema had been shown in competition in the Berlin Festival (remember Boris Khlebnikov's Long Happy Life) and in programs of a lower rank (recent films by Alexei Mizgirev and Anna Melikyan).
The Berlin Film Festival also hosts the extremely large European Film Market, comparable in dimensions to Cannes (last year, the organizers claim over 8,000 participants from 107 countries showing 784 films around the market) and a co-production market. They cannot leave out the growth of young talents, inviting them to participate in the projects Berlinale Residency (a three-month residence in Berlin using a scholarship of 1,500 euros for directors or screenwriters, that happen to be helped by experts to get projects to mind) and Berlinale Talents (short-term training programs for annually recruited groups of film school students from about the world).
Festival de Cannes
Cannes, France / founded in 1946
Cannes is easily the most reputable (though not the oldest) film festival about the planet. It is extremely hard to find here, but a very opportunity, as practice shows, always remains. A newbie director, needless to say, should not seriously expect coming into the main programs (the main competition, "Special Look", special screenings, out-of-competition section), but lower-ranked programs - "Cinefondation" (student films), short films competition are relatively accessible. Beyond just the above, the parallel program "Directors Fortnight", which was released from the French Guild of Film Directors in 1969, is now well-known and often turns out to be no less interesting than the leading competition.
The respectful attitude of Cannes to your Soviet and Russian cinematic tradition is manifested not less than in the truth that the festival website and the chief documents meant for filing a software are translated into Russian. It's not necessary to go far for a example of Russian films that received awards in Cannes: this season the prize for the greatest script was awarded to Andrey Zvyagintsev's Leviathan, along with 2012, Taisiya Igumentseva took the leading prize in the Cinefondation competition (since the Cannes rules demand a screen full-length debut of your winner, another picture of Mrs. Igumentseva have also been shown in the festival, albeit away from competition).
Essentially the most prestigious festival, naturally, managed to find the largest film market. In 2014, over 11,000 professionals located France, representing about 5,000 companies from 116 countries. 5,200 films were presented on the film market, 960 of which had screenings (in most examples, premieres).
