15 Most Prestigious Film Festivals On The Earth

The concept of "category A festival" is not formally defined, but this is how prestigious international shows which has a non-specialized competitive program are traditionally called.

Many of the major and prestigious film festivals are accredited because of the International Federation of Film Producers Associations (FIAPF). FIAPF was formed back 1933, and today it contains 34 associations (including the Guild of Russian Producers) from 29 countries. In addition to the "licensing" of festivals, FIAPF's section of ​​interest includes the business of the regulation and unsafe effects of work processes while in the film and television industry: modernization of copyright legislation, fighting against piracy, the development of digital technologies, standardization, work together with the media, etc. With the issuance of FIAPF accreditation, the concept of "class A" festivals (that is, the favourite, status events) is associated, which has already become conditional, but continues to be preserved inside journalistic dictionary. It is understood that such festivals are stuck countries where you will find there's long-term cinematic tradition, possess a non-specialized competition with a minimum of 12 full-length films (usually premieres rather than engaged in competitions of other international film festivals) from different countries, a major international jury and official support from the state level. There may be a maximum of one "A" class festival in a different given country.

Berlinale
Berlin, Germany / founded in 1951

The very first class "A" festival within the FIAPF calendar, starting noisy . February, is simultaneously probably the most significant (and most likely the most useful while in the world). The Berlinale competitors are being formed to ensure an extensive representation of European cinematographies. Additionally it is thought that films shot inside the traditional manner and films with political themes will be more often selected here.

Curators compose individual programs presented on the festival independently, without considering applications from outside. Nevertheless, films of less experienced directors who struggle to wind up in the principle competition could well be contained in the less significant programs Panorama (international art house cinema), Forum (experimental films), Generation (children and youth films ), Berlinale Shorts (short film). New Russian cinema is shown in your competitors with the Berlin Festival (remember Boris Khlebnikov's Long Happy Life) plus programs of the lower rank (recent films by Alexei Mizgirev and Anna Melikyan).

The Berlin Film Festival also hosts the extremely large European Film Market, comparable bigger to Cannes (last year, the organizers claim over 8,000 participants from 107 countries showing 784 films to the market) and a co-production market. They don't ignore the growth and development of young talents, inviting them to participate in the projects Berlinale Residency (a three-month residence in Berlin by using a scholarship of 1,500 euros for directors or screenwriters, who definitely are helped by experts to get projects to mind) and Berlinale Talents (short-term training programs for annually recruited categories of film school students from around the world).

Festival de Cannes
Cannes, France / founded in 1946

Cannes is the most reputable (though not the oldest) film festival on the planet. It is extremely difficult to acquire here, but this opportunity, as practice shows, always remains. A newbie director, naturally, should never seriously count on getting yourself into the key programs (the main competition, "Special Look", special screenings, out-of-competition section), but lower-ranked programs - "Cinefondation" (student films), short films competition are relatively accessible. Beyond just the above, https://greenhornfestival.com/ (Going in Greenhornfestival) the parallel program "Directors Fortnight", which was released from the French Guild of Film Directors back 1969, is becoming well regarded and sometimes happens to be no less interesting than the chief competition.

The respectful attitude of Cannes for the Soviet and Russian cinematic tradition is manifested at least in the fact the festival website and the primary documents essential for filing an application are translated into Russian. You don't have to go far for examples of Russian films that received awards in Cannes: this year the prize for the greatest script was awarded to Andrey Zvyagintsev's Leviathan, plus in 2012, Taisiya Igumentseva took the main prize on the Cinefondation competition (since the Cannes rules need a screen full-length debut with the winner, the subsequent picture of Mrs. Igumentseva was also shown with the festival, albeit away from competition).

The best prestigious festival, certainly, had been choose the largest film market. In 2014, above 11,000 professionals found France, representing about 5,000 companies from 116 countries. 5,200 films were presented in the film market, 960 of which had screenings (in most all cases, premieres).