15 Most Prestigious Film Festivals On The Globe
The method of "category A festival" will not be formally defined, but there are numerous ways prestigious international shows that has a non-specialized competitive program are traditionally called.
The majority of the major and prestigious film festivals are accredited by the International Federation of Film Producers Associations (FIAPF). FIAPF was formed the government financial aid 1933, and from now on its content has 34 associations (including the Guild of Russian Producers) from 29 countries. As well as the "licensing" of festivals, FIAPF's subject of interest includes issues related to the regulation and regulation of work processes while in the film and tv industry: modernization of copyright legislation, slowing piracy, enhancing digital technologies, standardization, https://greenhornfestival.com/ - click this - work while using the media, etc. While using the issuance of FIAPF accreditation, the concept of "class A" festivals (that is, the favourite, status events) is associated, which has recently become conditional, but continues to preserved within the journalistic dictionary. It is actually understood that such festivals are stuck countries where there's a long-term cinematic tradition, have got a non-specialized competition having a minimum of 12 full-length films (usually premieres and not participating in competitions of other international film festivals) from different countries, a world jury and official support from their state level. There is only one "A" class festival in a different given country.
Berlinale
Berlin, Germany / founded in 1951
The very first class "A" festival while in the FIAPF calendar, starting in early February, actually is as well one of the most significant (and perhaps the most used inside world). The Berlinale competition is being formed to guarantee a broad representation of European cinematographies. Also, it is considered that films shot inside traditional manner and films with political themes will be more often selected here.
Curators compose individual programs presented on the festival independently, without considering applications from outside. Nevertheless, films of less experienced directors who struggle to enter the principle competition is probably within the less significant programs Panorama (international art house cinema), Forum (experimental films), Generation (children and youth films ), Berlinale Shorts (short film). New Russian cinema was already shown in other sellers on the Berlin Festival (remember Boris Khlebnikov's Long Happy Life) and in programs of your lower rank (recent films by Alexei Mizgirev and Anna Melikyan).
The Berlin Film Festival also hosts the extremely large European Film Market, comparable in dimensions to Cannes (last year, the organizers claim over 8,000 participants from 107 countries showing 784 films on the market) and a co-production market. They just don't overlook the development of young talents, inviting those to play in the projects Berlinale Residency (a three-month residence in Berlin with a scholarship of 1,500 euros for directors or screenwriters, that happen to be helped by experts to create projects to mind) and Berlinale Talents (short-term training programs for annually recruited teams of film school students from about the world).
Festival de Cannes
Cannes, France / founded in 1946
Cannes is among the most reputable (though not the oldest) film festival about the planet. It is rather difficult to acquire here, but such an opportunity, as practice shows, always remains. An ignorant director, obviously, probably should not seriously trust in engaging in the leading programs (the main competition, "Special Look", special screenings, out-of-competition section), but lower-ranked programs - "Cinefondation" (student films), short films competition are relatively accessible. In addition to the above, the parallel program "Directors Fortnight", which was already released because of the French Guild of Film Directors back in 1969, happens to be well known and they often is believe it or not interesting than the main competition.
The respectful attitude of Cannes towards Soviet and Russian cinematic tradition is manifested not less than in the fact the festival website and the key documents essential for filing an application are translated into Russian. There's no need to go far for types of Russian films that received awards in Cannes: this year the prize for the best script was awarded to Andrey Zvyagintsev's Leviathan, plus in 2012, Taisiya Igumentseva took the leading prize on the Cinefondation competition (since the Cannes rules demand a screen full-length debut on the winner, your next picture of Mrs. Igumentseva seemed to be shown on the festival, albeit out of competition).
Probably the most prestigious festival, naturally, were able to choose the largest film market. In 2014, more than 11,000 professionals came to France, representing about 5,000 companies from 116 countries. 5,200 films were presented for the film market, 960 of which have screenings (in many examples, premieres).
