15 Most Prestigious Film Festivals On The Globe

The very idea of "category A festival" is not formally defined, but this is the way prestigious international shows which has a non-specialized competitive program are traditionally called.

Many of the major and prestigious film festivals are accredited with the International Federation of Film Producers Associations (FIAPF). FIAPF was formed back in 1933, and already it offers 34 associations (including the Guild of Russian Producers) from 29 countries. Beyond just the "licensing" of festivals, FIAPF's division of ​​interest includes the process of the regulation and dangerous work processes inside the film and television industry: modernization of copyright legislation, the fight against piracy, the creation of digital technologies, standardization, work while using the media, etc. While using issuance of FIAPF accreditation, the technique of "class A" festivals (that is, the favourite, status events) is associated, which has become conditional, but is still preserved in the journalistic dictionary. It can be understood that such festivals are locked in countries where you will find a long-term cinematic tradition, employ a non-specialized competition for at least 12 full-length films (usually premieres but not taking part in competitions of other international film festivals) from different countries, an internationally jury and official support from hawaii level. There are no greater than one "A" class festival in different given country.

Berlinale
Berlin, Germany / founded in 1951

The earliest class "A" festival inside the FIAPF calendar, starting during early February, turns out to be at the same time essentially the most significant (and perhaps the favorite in the world). The Berlinale competition is being formed to be sure a broad representation of European cinematographies. Also, it is considered that films shot in the traditional manner and films with political themes tend to be often selected here.

Curators compose individual programs presented within the festival independently, without considering applications from outside. Nevertheless, films of less experienced directors who find it difficult to wind up in the key competition may be part of the decreased programs Panorama (international art house cinema), Forum (experimental films), Generation (children and youth films ), Berlinale Shorts (short film). New Russian cinema is already shown in other sellers on the Berlin Festival (remember Boris Khlebnikov's Long Happy Life) and in programs on the lower rank (recent films by Alexei Mizgirev and Anna Melikyan).

The Berlin Film Festival also hosts the extremely large European Film Market, comparable bigger to Cannes (last year, the organizers claim over 8,000 participants from 107 countries showing 784 films about the market) along with a co-production market. They can't neglect the progression of young talents, inviting them to have fun with the projects Berlinale Residency (a three-month residence in Berlin which has a scholarship of 1,500 euros for directors or screenwriters, who're helped by experts to create projects to mind) and Berlinale Talents (short-term training programs for annually recruited categories of film school students from within the world).

Festival de Cannes
Cannes, France / founded in 1946

Cannes is easily the most reputable (though not the oldest) film festival around the planet. This can be very nearly impossible to find here, but this sort of opportunity, as practice shows, always remains. An unskilled director, naturally, ought not seriously rely on getting yourself into the key programs (the main competition, "Special Look", special screenings, out-of-competition section), but lower-ranked programs - "Cinefondation" (student films), short films competition are relatively accessible. In addition to the above, the parallel program "Directors Fortnight", which premiered by the French Guild of Film Directors in 1969, is becoming widely known and sometimes turns out to be believe it or not interesting than the principle competition.

The respectful attitude of Cannes towards the Soviet and Russian cinematic tradition is manifested not less than in the truth that the festival website and the principle documents meant for filing an application are translated into Russian. You won't need to go far for degrees of Russian films that received awards in Cannes: this current year the prize for the best script was awarded to Andrey Zvyagintsev's Leviathan, and in 2012, Taisiya Igumentseva took the chief prize on the Cinefondation competition (since the Cannes rules have to have a screen full-length debut of the winner, the following picture of Mrs. Igumentseva was also shown with the festival, https://greenhornfestival.com/ [https://greenhornfestival.com/] albeit out from competition).

Essentially the most prestigious festival, of course, been able to choose the largest film market. In 2014, in excess of 11,000 professionals arrived at France, representing about 5,000 companies from 116 countries. 5,200 films were presented in the film market, 960 of which in fact had screenings (in many cases, premieres).