15 Most Prestigious Film Festivals On The Globe
The concept of "category A festival" just isn't formally defined, but this is the way prestigious international shows with a non-specialized competitive program are traditionally called.
Most of the major and prestigious film festivals are accredited from the International Federation of Film Producers Associations (FIAPF). FIAPF was formed last 1933, and today it offers 34 associations (including the Guild of Russian Producers) from 29 countries. Along with the "licensing" of festivals, FIAPF's area of interest includes issues related to the regulation and controlling the harmful work processes within the film and tv industry: modernization of copyright legislation, fighting piracy, the creation of digital technologies, standardization, work with the media, etc. While using issuance of FIAPF accreditation, the idea of "class A" festivals (that is, the favourite, status events) is associated, https://greenhornfestival.com/ (https://greenhornfestival.com) which has recently become conditional, but continues to be preserved inside journalistic dictionary. It's understood that such festivals are held in countries where there's a long-term cinematic tradition, have a very non-specialized competition having a minimum of 12 full-length films (usually premieres and never taking part in competitions of other international film festivals) from different countries, an international jury and official support from nys level. There may be no more than one "A" class festival in any given country.
Berlinale
Berlin, Germany / founded in 1951
The initial class "A" festival while in the FIAPF calendar, starting during early February, ends up being concurrently just about the most significant (and maybe the most visited while in the world). The Berlinale competitors are being formed to be sure a wide representation of European cinematographies. It is usually considered films shot in the traditional manner and flicks with political themes are definitely more often selected here.
Curators compose individual programs presented on the festival independently, without considering applications from outside. Nevertheless, films of less experienced directors who find it hard to go into the primary competition is probably contained in the diminished programs Panorama (international art house cinema), Forum (experimental films), Generation (children and youth films ), Berlinale Shorts (short film). New Russian cinema was already shown in your competition on the Berlin Festival (remember Boris Khlebnikov's Long Happy Life) and in programs of a lower rank (recent films by Alexei Mizgirev and Anna Melikyan).
The Berlin Film Festival also hosts the extremely large European Film Market, comparable in space to Cannes (last year, the organizers claim over 8,000 participants from 107 countries showing 784 films around the market) along with a co-production market. They cannot neglect the continuing development of young talents, inviting those to have fun playing the projects Berlinale Residency (a three-month residence in Berlin having a scholarship of 1,500 euros for directors or screenwriters, who're helped by experts to make projects to mind) and Berlinale Talents (short-term training programs for annually recruited teams of film school students from throughout the world).
Festival de Cannes
Cannes, France / founded in 1946
Cannes is the most reputable (though not the oldest) film festival within the planet. This can be very difficult to acquire here, but this sort of opportunity, as practice shows, always remains. An unskilled director, needless to say, probably should not seriously depend on engaging in the leading programs (the main competition, "Special Look", special screenings, out-of-competition section), but lower-ranked programs - "Cinefondation" (student films), short films competition are relatively accessible. In addition to the above, the parallel program "Directors Fortnight", which premiered with the French Guild of Film Directors in 1969, has grown to be reputed and often actually is believe it or not interesting than the key competition.
The respectful attitude of Cannes to your Soviet and Russian cinematic tradition is manifested at the least in the fact that the festival website and the principle documents required for filing a software are translated into Russian. You won't need to go far for samples of Russian films that received awards in Cannes: this season the prize to get the best script was awarded to Andrey Zvyagintsev's Leviathan, plus in 2012, Taisiya Igumentseva took the main prize from the Cinefondation competition (since the Cannes rules call for a screen full-length debut of the winner, the subsequent picture of Mrs. Igumentseva seemed to be shown with the festival, albeit outside of competition).
Essentially the most prestigious festival, needless to say, managed to choose the largest film market. In 2014, greater than 11,000 professionals located France, representing about 5,000 companies from 116 countries. 5,200 films were presented on the film market, 960 of which in fact have screenings (in many cases, premieres).