15 Most Prestigious Film Festivals On The Globe
The technique of "category A festival" isn't formally defined, but this is the way prestigious international shows having a non-specialized competitive program are traditionally called.
Many of the major and prestigious film festivals are accredited by the International Federation of Film Producers Associations (FIAPF). FIAPF was formed the government financial aid 1933, and already it has 34 associations (including the Guild of Russian Producers) from 29 countries. Beyond just the "licensing" of festivals, FIAPF's division of interest includes the process of the regulation and dangerous work processes in the film and tv industry: modernization of copyright legislation, the fight against piracy, the introduction of digital technologies, standardization, work while using the media, etc. While using issuance of FIAPF accreditation, the technique of "class A" festivals (that is, the favourite, status events) is associated, which has recently become conditional, but is preserved inside journalistic dictionary. It is understood that such festivals are kept in countries where there exists a long-term cinematic tradition, have a non-specialized competition that is at least 12 full-length films (usually premieres and never participating in competitions of other international film festivals) from different countries, a worldwide jury and official support from their state level. There will be no greater than one "A" class festival in every given country.
Berlinale
Berlin, Germany / founded in 1951
The very first class "A" festival inside FIAPF calendar, starting noisy . February, actually is concurrently the most significant (and perhaps the favorite within the world). The Berlinale level of competition is being formed to be sure an easy representation of European cinematographies. Additionally it is thought that films shot from the traditional manner and flicks with political themes are usually more often selected here.
Curators compose individual programs presented with the festival independently, without considering applications from outside. Nevertheless, films of less experienced directors who find it hard to go into the primary competition could be as part of the less significant programs Panorama (international art house cinema), Forum (experimental films), Generation (children and youth films ), Berlinale Shorts (short film). New Russian cinema was already shown in the opposition with the Berlin Festival (remember Boris Khlebnikov's Long Happy Life) plus programs of your lower rank (recent films by Alexei Mizgirev and Anna Melikyan).
The Berlin Film Festival also hosts the extremely large European Film Market, https://greenhornfestival.com/, head to greenhornfestival.com, comparable in proportion to Cannes (last year, the organizers claim over 8,000 participants from 107 countries showing 784 films to the market) and a co-production market. They can't forget about the continuing development of young talents, inviting these phones participate in the projects Berlinale Residency (a three-month residence in Berlin which has a scholarship of 1,500 euros for directors or screenwriters, that happen to be helped by experts to create projects to mind) and Berlinale Talents (short-term training programs for annually recruited categories of film school students from throughout the world).
Festival de Cannes
Cannes, France / founded in 1946
Cannes is among the most reputable (though not the oldest) film festival for the planet. It's very rare to find here, but this opportunity, as practice shows, always remains. A newbie director, not surprisingly, should never seriously trust in coming into the main programs (the main competition, "Special Look", special screenings, out-of-competition section), but lower-ranked programs - "Cinefondation" (student films), short films competition are relatively accessible. As well as the above, the parallel program "Directors Fortnight", which premiered because of the French Guild of Film Directors back in 1969, has grown to be well known and they often ends up being no less interesting than the chief competition.
The respectful attitude of Cannes to the Soviet and Russian cinematic tradition is manifested no less than in the fact that the festival website and the primary documents needed for filing a software are translated into Russian. You won't need to go far for a example of Russian films that received awards in Cannes: this coming year the prize for top level script was awarded to Andrey Zvyagintsev's Leviathan, plus in 2012, Taisiya Igumentseva took the chief prize on the Cinefondation competition (since the Cannes rules need a screen full-length debut on the winner, the next picture of Mrs. Igumentseva was also shown on the festival, albeit beyond competition).
Probably the most prestigious festival, certainly, managed to choose the largest film market. In 2014, above 11,000 professionals located France, representing about 5,000 companies from 116 countries. 5,200 films were presented in the film market, 960 of which in fact have screenings (in many instances, premieres).
