15 Most Prestigious Film Festivals In The World
The method of "category A festival" seriously isn't formally defined, but this is one way prestigious international shows with a non-specialized competitive program are traditionally called.
The vast majority of major and prestigious film festivals are accredited because of the International Federation of Film Producers Associations (FIAPF). FIAPF was formed last 1933, now its content has 34 associations (including the Guild of Russian Producers) from 29 countries. As well as the "licensing" of festivals, FIAPF's section of interest includes the business of the regulation and unsafe effects of work processes inside film and television industry: modernization of copyright legislation, the fight against piracy, the introduction of digital technologies, standardization, work with all the media, etc. With all the issuance of FIAPF accreditation, the thought of "class A" festivals (that is, the favourite, status events) is associated, which has already become conditional, but is preserved inside journalistic dictionary. It is actually understood that such festivals are held in countries where you will find there's long-term cinematic tradition, have a very non-specialized competition having a minimum of 12 full-length films (usually premieres without involved in competitions of other international film festivals) from different countries, a worldwide jury and official support from the state level. There might be only one "A" class festival in any given country.
Berlinale
Berlin, Germany / founded in 1951
The earliest class "A" festival inside FIAPF calendar, starting during early February, happens to be all at once one of the most significant (and probably the most used within the world). The Berlinale levels of competition are being formed to make sure a broad representation of European cinematographies. It is usually believed that films shot from the traditional manner and flicks with political themes are usually more often selected here.
Curators compose individual programs presented within the festival independently, without considering applications from outside. Nevertheless, films of less experienced directors who find it difficult to go into the leading competition might be in the shorter programs Panorama (international art house cinema), Forum (experimental films), Generation (children and youth films ), Berlinale Shorts (short film). New Russian cinema had been shown in competition in the Berlin Festival (remember Boris Khlebnikov's Long Happy Life) and programs of your lower rank (recent films by Alexei Mizgirev and Anna Melikyan).
The Berlin Film Festival also hosts the extremely large European Film Market, comparable in proportion to Cannes (last year, the organizers claim over 8,000 participants from 107 countries showing 784 films about the market) and a co-production market. They just don't neglect the growth of young talents, inviting these to have fun with the projects Berlinale Residency (a three-month residence in Berlin which has a scholarship of 1,500 euros for directors or screenwriters, that are helped by experts to bring projects to mind) and Berlinale Talents (short-term training programs for annually recruited groups of film school students from around the world).
Festival de Cannes
Cannes, France / founded in 1946
Cannes is regarded as the reputable (though not the oldest) film festival about the planet. This can be very hard to come by here, but this type of opportunity, as practice shows, always remains. An unsophisticated director, certainly, ought not seriously rely on engaging in the principle programs (the main competition, "Special Look", special screenings, out-of-competition section), but lower-ranked programs - "Cinefondation" (student films), short films competition are relatively accessible. In addition to the above, the parallel program "Directors Fortnight", which was launched from the French Guild of Film Directors back 1969, https://greenhornfestival.com/ (site) has become reputed and they often happens to be no less interesting than the main competition.
The respectful attitude of Cannes on the Soviet and Russian cinematic tradition is manifested at the very least in the reality that the festival website and the chief documents essential for filing a credit application are translated into Russian. You don't have to go far for examples of Russian films that received awards in Cannes: this season the prize for the greatest script was awarded to Andrey Zvyagintsev's Leviathan, along with 2012, Taisiya Igumentseva took the leading prize of the Cinefondation competition (since the Cannes rules require a screen full-length debut from the winner, your next picture of Mrs. Igumentseva seemed to be shown at the festival, albeit outside of competition).
By far the most prestigious festival, certainly, managed to buy the largest film market. In 2014, above 11,000 professionals found France, representing about 5,000 companies from 116 countries. 5,200 films were presented in the film market, 960 of which in fact had screenings (in most all cases, premieres).
