15 Most Prestigious Film Festivals On Earth
The very idea of "category A festival" isn't formally defined, but this is why prestigious international shows using a non-specialized competitive program are traditionally called.
Most of the major and prestigious film festivals are accredited through the International Federation of Film Producers Associations (FIAPF). FIAPF was formed back 1933, and from now on it offers 34 associations (including the Guild of Russian Producers) from 29 countries. In addition to the "licensing" of festivals, FIAPF's part of interest includes the business of the regulation and damaging work processes inside film and television industry: modernization of copyright legislation, slowing piracy, the development of digital technologies, standardization, work while using media, etc. With all the issuance of FIAPF accreditation, the very idea of "class A" festivals (that is, the favourite, status events) is associated, which has become conditional, but continues to be preserved inside the journalistic dictionary. It is actually understood that such festivals are kept in countries where you will find there's long-term cinematic tradition, have got a non-specialized competition of at least 12 full-length films (usually premieres rather than playing competitions of other international film festivals) from different countries, an internationally jury and official support from nys level. There will be not more than one "A" class festival in a given country.
Berlinale
Berlin, Germany / founded in 1951
The 1st class "A" festival while in the FIAPF calendar, starting at the begining of February, actually is concurrently the single most significant (and maybe the most visited while in the world). The Berlinale level of competition is being formed to ensure a large representation of European cinematographies. It is also belief that films shot from the traditional manner and https://greenhornfestival.com/ (greenhornfestival.com) films with political themes tend to be more often selected here.
Curators compose individual programs presented for the festival independently, without considering applications from outside. Nevertheless, films of less experienced directors who struggle to enter into the key competition could well be part of the diminished programs Panorama (international art house cinema), Forum (experimental films), Generation (children and youth films ), Berlinale Shorts (short film). New Russian cinema is already shown in competition in the Berlin Festival (remember Boris Khlebnikov's Long Happy Life) plus programs of any lower rank (recent films by Alexei Mizgirev and Anna Melikyan).
The Berlin Film Festival also hosts the extremely large European Film Market, comparable in proportion to Cannes (last year, the organizers claim over 8,000 participants from 107 countries showing 784 films within the market) plus a co-production market. They just don't forget about the continuing development of young talents, inviting them to take part in the projects Berlinale Residency (a three-month residence in Berlin with a scholarship of 1,500 euros for directors or screenwriters, that are helped by experts to get projects to mind) and Berlinale Talents (short-term training programs for annually recruited categories of film school students from across the world).
Festival de Cannes
Cannes, France / founded in 1946
Cannes is regarded as the reputable (though not the oldest) film festival on the planet. It is quite rare to find here, but a very opportunity, as practice shows, always remains. A novice director, needless to say, must not seriously count on coming into the primary programs (the main competition, "Special Look", special screenings, out-of-competition section), but lower-ranked programs - "Cinefondation" (student films), short films competition are relatively accessible. As well as the above, the parallel program "Directors Fortnight", which was already released from the French Guild of Film Directors last 1969, happens to be widely known and often is believe it or not interesting than the key competition.
The respectful attitude of Cannes for the Soviet and Russian cinematic tradition is manifested at the very least in the fact the festival website and the key documents important for filing an application are translated into Russian. You won't need to go far for a example of Russian films that received awards in Cannes: this holiday season the prize for the best script was awarded to Andrey Zvyagintsev's Leviathan, along with 2012, Taisiya Igumentseva took the principle prize with the Cinefondation competition (since the Cannes rules call for a screen full-length debut in the winner, the subsequent picture of Mrs. Igumentseva was also shown within the festival, albeit outside of competition).
Probably the most prestigious festival, not surprisingly, had been acquire the largest film market. In 2014, greater than 11,000 professionals stumbled on France, representing about 5,000 companies from 116 countries. 5,200 films were presented at the film market, 960 of which have screenings (in most examples, premieres).
