15 Most Prestigious Film Festivals On This Planet

The very idea of "category A festival" is just not formally defined, but this is one way prestigious international shows using a non-specialized competitive program are traditionally called.

The majority of the major and prestigious film festivals are accredited through the International Federation of Film Producers Associations (FIAPF). FIAPF was formed way back in 1933, and after this its content has 34 associations (including the Guild of Russian Producers) from 29 countries. Beyond the "licensing" of festivals, FIAPF's subject of ​​interest includes the business of the regulation and damaging work processes in the film and television industry: modernization of copyright legislation, fighting against piracy, the introduction of digital technologies, standardization, work with all the media, etc. While using the issuance of FIAPF accreditation, the technique of "class A" festivals (that is, the favourite, status events) is associated, which has now become conditional, but continues to be preserved inside journalistic dictionary. It can be understood that such festivals are locked in countries where there's a long-term cinematic tradition, have got a non-specialized competition for at least 12 full-length films (usually premieres but not participating in competitions of other international film festivals) from different countries, a global jury and official support from nys level. There are only one "A" class festival in every given country.

Berlinale
Berlin, Germany / founded in 1951

The first class "A" festival in the FIAPF calendar, starting at the begining of February, ends up being at the same time the most significant (and most likely the favorite from the world). The Berlinale level of competition is being formed to be sure an extensive representation of European cinematographies. It's also considered films shot in the traditional manner and films with political themes are definitely more often selected here.

Curators compose individual programs presented in the festival independently, without considering applications from outside. Nevertheless, films of less experienced directors who battle to go into the principle competition is probably in the reduced programs Panorama (international art house cinema), Forum (experimental films), Generation (children and youth films ), Berlinale Shorts (short film). New Russian cinema was already shown in the opposition with the Berlin Festival (remember Boris Khlebnikov's Long Happy Life) along with programs of an lower rank (recent films by Alexei Mizgirev and Anna Melikyan).

The Berlin Film Festival also hosts the extremely large European Film Market, comparable in dimensions to Cannes (last year, the organizers claim over 8,000 participants from 107 countries showing 784 films for the market) along with a co-production market. They just don't leave out the continuing development of young talents, inviting the theifs to have fun playing the projects Berlinale Residency (a three-month residence in Berlin with a scholarship of 1,500 euros for directors or screenwriters, who're helped by experts to have projects to mind) and Berlinale Talents (short-term training programs for annually recruited teams of film school students from across the world).

Festival de Cannes
Cannes, France / founded in 1946

Cannes is regarded as the reputable (though not the oldest) film festival about the planet. This can be very hard to come by here, but such an opportunity, as practice shows, always remains. An inexperienced director, needless to say, should not seriously depend on stepping into the principle programs (the main competition, "Special Look", special screenings, out-of-competition section), but lower-ranked programs - "Cinefondation" (student films), short films competition are relatively accessible. Beyond just the above, https://greenhornfestival.com/ (greenhornfestival.com) the parallel program "Directors Fortnight", which premiered from the French Guild of Film Directors way back in 1969, is becoming well known and frequently turns out to be believe it or not interesting than the main competition.

The respectful attitude of Cannes towards the Soviet and Russian cinematic tradition is manifested a minimum of in the point that the festival website and the leading documents meant for filing a questionnaire are translated into Russian. You won't need to go far for types of Russian films that received awards in Cannes: this holiday season the prize for the best script was awarded to Andrey Zvyagintsev's Leviathan, plus 2012, Taisiya Igumentseva took the primary prize of your Cinefondation competition (since the Cannes rules have to have a screen full-length debut of the winner, your next picture of Mrs. Igumentseva was also shown in the festival, albeit beyond competition).

The best prestigious festival, certainly, were able to find the largest film market. In 2014, above 11,000 professionals arrived at France, representing about 5,000 companies from 116 countries. 5,200 films were presented on the film market, 960 of that had screenings (in many examples, premieres).